POSTMODERNISM IS DEAD
A new modernity is emerging, reconfigured to an age of globalisation – understood in its economic, political and cultural aspects: an altermodern culture
Increased communication, travel and migration are affecting the way we live
Our daily lives consist of journeys in a chaotic and teeming universe
Multiculturalism and identity is being overtaken by creolisation: Artists are now starting from a globalised state of culture
This new universalism is based on translations, subtitling and generalised dubbing
Today’s art explores the bonds that text and image, time and space, weave between themselves
Artists are responding to a new globalised perception. They traverse a cultural landscape saturated with signs and create new pathways between multiple formats of expression and communication.
- Nicolas Bourriaud, Altermodern Manifesto
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[...] in every spot of the planet, you can see this new cultural stratus, coexisting with the layer of traditional culture and some local specific contemporary elements. Saying that it is the privilege of the artistic jet set is a pure denial of the worldwide violence of the capitalist system, or an extreme naiveness.
- Altermodern: a Conversation with Nicolas Bourriaud
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i can’t decide if i agree with what Bourriaud is proposing. understood that he is offering a new paradigm for thinking about the present trend of contemporary art - i am not quite convinced that this ‘new cosmopolitanism’ is as pervasive as he claims it to be. perhaps i am just ‘extremely naive ‘, but i can’t help but feel that he is focusing his argument on the most visible players of contemporary art (by defaut those who are most priviledged). There are still many, many MANY people who aren’t flying from one place to the next, who aren’t ‘nomadic, third-culture hybrids’.
this declaration that ‘post-modernism is dead’ just REEKS of elitism.